Rabu, 07 Oktober 2015

Download Ebook , by Gail Jarrow

Download Ebook , by Gail Jarrow

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, by Gail Jarrow

, by Gail Jarrow


, by Gail Jarrow


Download Ebook , by Gail Jarrow

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, by Gail Jarrow

Product details

File Size: 14622 KB

Print Length: 144 pages

Publisher: Calkins Creek (August 7, 2018)

Publication Date: August 7, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07DJ1ZL75

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Amazon Best Sellers Rank:

#948,429 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

It seems, looking back into the dim recesses of the past, that a language arts teacher played the recording of the Orson Welles radio broadcast for us in class at some point. If you haven't heard it yet, you can find it online in a variety of places from YouTube to Audible. But what Gail Jarrow does in this book is trace the path of Welles to the Mercury Theater's time on air and their performance of The War of the Worlds. An excellent timeline in the back matter covers all the major steps along the way.The narrative gives details of the major players in the adaptation and performance, the social setting (the Great Depression, the American fascination with radio, and fears based on Hitler's rise in Europe), and the reaction and aftermath of the broadcast. Images show the performers, families listening to their radios, headlines, excerpts from letters and telegrams sent in by listeners, and even a photo of the commemorative plaque from Grovers Mill. Illustrations from a 1906 French version of the H.G. Wells book are used to great effect as the radio broadcast is described.Back matter has a lot to offer for readers who have their interest piqued. There is a section offering websites, DVDs, and books on the broadcast, Welles, Mars, other famous hoaxes, and related fiction. An author's note explains the process Jarrow used to research and write this account. Source notes, a selected biography, picture credits, and an index round out the helpful material.In this day of fake news and the need for information users to practice discernment and a healthy level of skepticism, this is an amazing example from American history on what happens when people blindly accept media at face value. This book would be a solid way to launch a unit on vetting information sources and hoaxes in general. It is also a great gift for sci-fi fans or anyone interested in broadcasting and media careers.I read a review copy provided by the publisher.

Spooked! is a seriously good book. I so appreciated the transcripts of the actual broadcast and the descriptions of the people and time so I understood the context. The wealth of additional resources is fantastic--including links to the real broadcast! A fascinating read about our own responsibility in processing information we hear, no matter the source. Timely, interesting, and important.

Jarrow relates how the War of the Worlds radio adaptation came about in 1938, how the radio crew thought it was going to bore the audience to tears, how the public responded to the broadcast (both positively and negatively), and then how the actual history of the reaction to this event itself became a piece of fake news and was misrepresented for many years.Jarrow relates history in a very engaging manor that is easily read and is loaded with primary sources. I was amazed to learn that the mass hysteria response to the broadcast had been so widely misreported. The whole history is a great lesson on really evaluating what you hear and checking your sources before you react (or repost...she does draw the correlation to today's false news for readers). It's fascinating history, a little step into the past when radio was the primary entertainment source, an intro to several historic entertainment personalities, and a cautionary tale about fake news that is extremely relevant for today's readers. Highly recommended for anyone.Notes on content: No language issues. No sexual content. Fake deaths in the radio broadcast by heat ray, and then an incident in South America during a War of the Worlds radio show is related that went very badly and resulted in some deaths during a riot.

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Minggu, 04 Oktober 2015

Ebook , by Eve Kosofsky Sedgwick

Ebook , by Eve Kosofsky Sedgwick

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, by Eve Kosofsky Sedgwick

, by Eve Kosofsky Sedgwick


, by Eve Kosofsky Sedgwick


Ebook , by Eve Kosofsky Sedgwick

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, by Eve Kosofsky Sedgwick

Product details

File Size: 834 KB

Print Length: 272 pages

Publisher: Columbia University Press; Thirtieth anniversary edition edition (November 24, 2015)

Publication Date: November 24, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0175P82UW

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Amazon Best Sellers Rank:

#447,930 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Sedgwick is considered as one of the giants in modern queer studies. Though this book is difficult to read, it is very essential to all scholars who like to experience and understand the nature of queer.

interesting read

Intellectually stimulating if you can read past the typos and seemingly endless adverbs, often stacked atop one another in sentences that can, at times, run on for the better part of a page - assuming, of course, that the typos were not in the omission of relevant punctuation.

At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not ahistorical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault. Sedgwick's own concern in this book is homosocality and this book's contribution to that topic is invaluable and still provides an excellent starting point for any foray into that topic. Her views on homosociality were groundbreaking, however, Sedgwick's book is famous mainly for its introduction which critiques current research agendas (including radical feminist agendas)as well as spells out the research agendas that she feels Gay and Lesbian studies should pursue. Its a twenty page introduction that to this day remains the best synopsis of academic feminisms (especially radical feminism) as well as the best articulation to date of the need for a new kind of discipline that can make use of the best part of existing feminisms and continue to evolve Gay and Lesbian Studies in productive directions. In that twenty page introduction Sedgwick lays out an academic template that has retroactively been labeled Queer Studies. For that introduction this book deserves five stars. The rest of the book is dedicated to new readings of classic Eng Lit texts and will only be of interest and of use to students of English literature.Overall the book is appealing because Sedgwick draws a map that is in fact usable. The pitfall of this book is that she uses this map to explain everything. This is of course a charge that can be made against any theorist that believes that their new theory holds the secret to history, to desire, to sexuality, to subjectivity, to relationships of all kinds, to every social situation and to every literary work. Its only later that we begin to see that any theory also has blind spots.Like Foucault Sedgwick treats "masculinity" and "femininity" and "lesbian" and "homosexual" not as natural and stable categories but as historically contingent and shifting categories. This is fine so far as it goes but it also means that in order to challenge these categories and effect structural changes to the way we view gender and sexuality the academic must argue from some privileged position that allows them access to the ways society shapes its subjects and also allows some privileged insight into how historical change occurs. Again this is true of all theory. An academic that suggests that we are all shaped by history must also realize that their own views are shaped by their own historical-academic-personal situatedness and to her credit Sedgwick does just that in her later, and much more interesting because much more self-critical, Touching Feeling.In that book Sedgwick evolves what amounts to a relational ethics as well as an ethics of academic life that recognizes that various forms of relationality and knowledges are practices that produce affects. If Between Men is a book that makes big claims, Touching Feeling is abook that analyzes the affects of such claims. Touching Feeling is thus a book that concerns itself less with cracking the sex and gender codes of the past (although she does some of that in this book as well) than in thoughtfully analyzing how practices, habits, and beliefs affect the quality of our lives. In many ways Touching Feeling marks a departure from some of her previous work and a return to a much more traditionally humanist approach (a return that was foreshadowed by Foucault's own return to ethics and humanism in his late work). It would seem that Sedgwick is saying that being fully human means not living in others codes and ideologies (nor dedicating ones life to cracking those codes and/or evolving new ones--which is to perpetually postpone the living of one's own life in the present) but living in critical relation to those codes and ideologies and evolving knowledge practices that are nourishing to one's self,one's students, friends and communities.In Between Men it is obvious that Sedgwick is not any ordinary academic. That book was a brilliant beginning and in it we can see the habits and tendencies of mind that make all of her books unique and appealing. Touching Feeling is the fully evolved realization of those habits and tendencies of mind and the book that I think she will be remembered for. Between Men helped initiate one trend in academic life, Queer Studies; Touching Feeling is already shaping another trend in academic thought, and one that I think will remain current for some time to come: the ethics of relationality.

This book is an essential antecedent to contemporary queer theory, arguing that the development of the public sphere depended upon a sublimated yet necessarily erotic "male homosocial desire." Once we have finished encountered that stunning and revolutionary idea, this is a work of literary criticism that will be of little interest to non-scholars. Sedgwick has proven herself more than adequate to the task of adapting her ideas to a larger academic and educated general audience; indeed, she is one of the most provocative cultural critics of our generation. But not here. I suggest some of Sedgwick's later work, especially "The Epistemology of the Closet" and "Tendencies."

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